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Teddy Bears' picnic

If you go down in the woods today
You're sure of a big surprise
 If you go down in the woods today
You'd better go in disguise.
For ev 'ry Bear that ever there was
Will gather there for certain because,
Today's the day the Teddy Bears have their Picnic.
Picnic time for Teddy Bears,
The little Teddy 
Bears are having a lovely time today.
And see them picnic on their holiday.
See theem gaily gad about,
They love to play and shout, They never have any cares;
At six o'clock their Mummies and Daddies
Will take them home to bed,
Because they're tired little Teddy Bears.
If you go down in woods today
You'd better not go alone
It's lovely down in the woods today
But safer to stay at home.
For ev' ry Bear that ever there was
Will gather there for certain, because
Today's the day the Teddy Bears have their Picnic.

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The Determination of Joel and Ethan Coen - The Hands That Built America

Charles Mc Coll Portis

The country was very young

the cavalry was his defense,

the brilliant green of the prairie,

demonstrated in an impressive manner, the existence of God

the God who designed the border and build the railway.

At that time I was a kid, playing rummy and whistled at women.

Gullible, romantic, a man with mustache,

if I could choose between life and death,

between life and death, I would choose America.

Francesco De Gregori "Buffalo Bill"

A black wire connects part of the film production of the fabulous brothers Joel and Ethan Coen. It 's a thread that starts from the crude and violent debut "Blood Simple", is held in the beautiful "Crossroads of Death", whose original screenplay is explicitly indebted to Dashiell Hammett, a wire passing through the cold "Fargo" to arrive at Cormack Mc Carthy " No Country for Old Men "and the" True Grit "in theaters today, faithful to the famous film finally (U.S.) Mc Coll novel by Charles Portis.

We are not in front of the remake of the film that earned him the John Wayne his only Oscar, too distant from the real issues of the novel.

Instead, it is the faithful and passionate narration of the novel by Portis. The female character, as in Fargo, requires order, security, justice, as in Fargo is stubbornly willing to take risks and to use any means to redress the balance unfairly broken. It 's a fracture that can only be reconstructed through compensation, the amount of which is uncertain, as uncertain of the true value of a horse: something you notice when you find the star closely with the murderess of her father and His current accomplices.

So far, so normal. The reflection on the nature of retributive justice and its distinction (if any) from the private vengeance would not bring the film far from the great classics of the genre films, as "The Man Who Shot Liberty Valance," the first "That train to Yuma" and "Rio Lobo."

Joel and Ethan Coen

The conflict in the Coens give voice (along with Portis and Mc Carthy), however, is that between Form and Substance , between Order and Chaos: Order / Form requires compensation, it that the guilty be punished or that the fault is repaired, the material fact that may be brought within the fold of abstract forecasts. E 'in substance / Chaos, however, that the events actually occur, and once and for all: the horse is stolen or purchased at a nominal price, the father is killed, no compensation will restore the status quo ante.

The law, often called the protagonist in the person of his lawyer, a construction is fragile and illusory, and certainly, as the heroine realizes many years later, the dogged research of pay and repair does not bring happiness, but rather the its opposite. The upheaval operated by Coen (and Portis, and Mc Carthy) is here: the film features the traditional American (and western) indicated as positive in itself (grit, courage, persistence, rule of law) were only Forma the creation of a functional system (A little 'more) efficient, not to achieve the "happiness" mentioned in the preamble of the U.S. Constitution.

The subtitle of "Gangs of New York was Scorsese's" America was born in the streets. " Not only that. E 'was also born in the prairies of Oklahoma described by Portis: and hands that built America, remind us of the Coen brothers, dripping with blood and obstinacy.

Ugo Chickens

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666 by Aphrodite's Child

Apocalypsis Beati Ioannis Apostoli. The fade 60 years and, among the complex of melodic pop, through a series of 45 'that crazy about the teenagers at the time, Aphrodite's Child open road: Vangelis (Evangelos Odysseas Papathanassiou), Demis Roussos, Lucas Sideras.

time rock and times of Altamont.

Spring, Summer and Fall Winter , It's Time o 'Clock , figures in the imaginary television in black and white or in color, winking from magazine covers at the time, and then Here Young Hello 2001. Sweet music consumption in an effort to cut the past when you open the urgency of new music. Where? At the intersection of history with the Apocalypse, at Altamont, when the sons of Aphrodite know they are demons, of course, as stated in the words of Socrates, Plato, as Eros is a Daimon megas. Not that the sons of Aphrodite feel beautiful, then as saying by newspaper critics, is the Greek-speaking and joins.

666, the "Number of the Beast," To Mega Therion, a double 33 rpm album concept, powerful progressive, modern re-write the history of the Apocalypse that John of Patmos, the greek most of the evangelists, the rod to regain control of a doctrine that already escaped from the times of preaching.

a record that could make rock history, and has not done, that few remember, but as an epiphany. Papathanassiou author of it, Sideras on drums, Roussos singing, and Costas Ferris who writes the lyrics: a coterie almost alchemical music, ranging in all genres and translates the vision of modern rock. Needless to establish a lineup of the best pieces, each to be taken in its entirety and in its con-text, every nuance in its own right, as if the voice evocative of Patmos REACHED really, without the tragic habit compilation of the work that disintegrates and produces kitsch.

But remember Do it! battle cry (Who was Jerry Rubin) Generation of the Sixties; Seven Bowls, played a worthy of a psychedelic trip gone wrong, and finally the unnamed track that marks the symbol of infinity, in which the voice of Irene Papas chanting mantra becomes the voice in song, singing in prolonged orgasm, a semantics of salvation (erotic), and before getting up Great Gig in the Sky by Pink Floyd or the machinations of erotic Gloria Gaynor.

Here we are on the edge of history flowed from the greek world to the Hebrew. Hic et Nunc , generationally hippy anthem and the center of the story, the joint intentional the end of the hippy dream and the Advent of the Apocalypse: the unrelenting Altamont that seems to foreshadow the sounds of Magma, the memory for the free concert by the Rolling Stones with attached murder of Hell's Angels by a spectator. End of the World hippies, and everyone at home ... Lucas Sideras not find a trace, Demis Roussos see him with post-hippie shirt and his incredible voice to delight the ears of housewives and housewives between songs of love Vangelis Papathanassiou lose the last name and will work as beautiful and Albedo 12:39 Invisible Connections, several soundtracks, including to remember Antarctic and Blade Runner . End of a world. The End of the World was another success of the sons of Aphrodite.

Robert Kellner

Rent Gowns Metro Manila

Imperial Earth by Arthur C. Clarke

In 1976 the Western world seemed to tremble deferential to the idea of \u200b\u200bthe so-called American Revolution Bicentennial and even the staid Arthur Clarke (1917-2008), dean of science fiction and British to the core, not too enthusiastic Americanism, he found himself talking about it, his novel set in the Quincentenary (but as a good British, leaving all the background).

In 2276 the young Duncan Makenzie, a clone of Colin, in turn clone of Malcolm, who was unable to generate because of the radiation from Titan goes to Earth to celebrate, but also to create a clone (black; why, we'll find out later, Makenzie are not white ... and the envy of the blacks on Earth because of its dark color ...).

Calindy On Earth crosses the land he fell in love ten years ago, who was the lover of his friend Karl Helmer, participate in tours, including a visit to the Titanic being restored, and is involved in a plot created by a yellow piece of titanium joint by contraband Titan in Karl and Calindy seem to be the culprits.

As the novel becomes a film noir in fact, we simply point out that the accidental death of Karl, and termination of the case, Duncan if he returns to Titan with a clone ... white clone of Karl.

Solid novel of the old lion, which in a yellow frame, obviously with a scientific background, accompanied by interesting inventions at will.

the face of the great works of his early period, those of the fifties and sixties who are, as Sands of Mars (1951), or the sunset Guides (1953), the strength of the "scientific" in its production, we are faced with a series of human stories that intersect with science, can not miss the comment of Duncan, frightened by the sight of a horse, which claims to have met her first monster spaiziale.

For lovers of gossip, finally, a possible outing of Clarke (not yet affected the target of accusations of child abuse raised by the usual tabloid rag, which was later acquitted) in Duncan's effeminate men who dance with the nurses of test-tube birth, back to our memory when a boy, he found himself with a friend in love with him ...

Francis Emery

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TO MY VALENTINE

My love,
in the book of the life it begins a new chapter, still Valentine with you .
Every year a photo to remember....." together "....... a magic word.

My love,
in the book of life begins a new chapter, even a Valentine's Day .... together.
Each year a photo to remember ......." together "......... a magic word.