Among all that is worth buying, talking about movies (not much), it is an important place in Yearbook 2010 Film Film TV (p. 304, € 10.00), unfortunately only available on newsstands and will eventually be wiped out with great speed. People flock
movie fans to buy, so you find yourself facing a series of reviews (smart) film releases on the Italian market between November 2009 and October 2010, is a kind of handbook to be inserted between ' latest edition of Meredith and the year of Cineforum just ended because, as we all know, in Italy's cinema it is spoken in many (though few in one go, also because of the senseless policy of the managers, that multiplexes have scared away the audience), but the Most do not seem to have licenses to do so.
glance at the newspaper reviews, those of Italian newspapers, local or national, usually has the effect away rather than closer, and film critics often ignore even the object of their work. It 's the Kali Yuga of taste, and in front of the Kali Yuga anything is possible ... But here
reviewers can do their job: this is the band of Film TV (the only weekly that instead of indulging the private lives of celebrities and gossip from the fuoriscena really takes care of cinema, besides television), deployed here in all its breadth and captained dall'immarcescibile Aldo Fittante sets up the volume.
Next, the "Playlist movie" chosen by the reviewers (whose autobiographies would be better not to have included) and those close to TV, DVD, Blu-Ray, more than fifty films not to miss the 2009-2010 period, but the corpus of the volume are the reviews of 296 films out in Italy, from 27 November 2009 to October 22, 2010, analyzed by the signatures of 23 per week and quality assured, because the reviewers belong more or less all area of \u200b\u200bintelligent criticism: from Cineforum in Nocturno, a The poster thanks to (as a host external) Alberto Silvestri, critical precisely de The poster and capintesta of Alias.
Of course not everything that shines before us.
Film TV is the prerogative of the critical democratic, progressive and politically correct at all costs, which, though cleansed by Zhdanovism forms of low-cost (i), in contrast to the criticism "Atlantic" (ii) and the "Catholic "(iii), is able to think more in terms of beauty, but also around the concept
Beauty, alas, no more than platonic, it would be discussed (and renegotiate).
As they say in these cases, sometimes one gets the impression that he had seen another film ( The fourth type of Osunsanmi, for example, or Peli's Paranormal Activity, two films that are drowsiness state pure, but are not even scoffed a bit ', and indeed even the first one wonders whether it is a fake ... oh Gods!) remains puzzled by the enthusiasm is genuine and a bit' late-adolescent reserved for small films a pure special effects such as Avatar Cameron (but again we're in good company: See The philosophies of Avatar for types of Mimesis, edited by Antonio Caronia and Fabio Tursi), or perplexed by the harsh criticism of Hachiko-Your best friend of Hallstrom (which will not be a masterpiece, but it is an honest film about the relationship between animals and men, and there were ...) But the value judgments, you know, the relativism that so worries the right-minded is the master, and any discussion of aesthetics is no point of principle.
Film TV is the prerogative of the critical democratic, progressive and politically correct at all costs, which, though cleansed by Zhdanovism forms of low-cost (i), in contrast to the criticism "Atlantic" (ii) and the "Catholic "(iii), is able to think more in terms of beauty, but also around the concept
Beauty, alas, no more than platonic, it would be discussed (and renegotiate).
As they say in these cases, sometimes one gets the impression that he had seen another film ( The fourth type of Osunsanmi, for example, or Peli's Paranormal Activity, two films that are drowsiness state pure, but are not even scoffed a bit ', and indeed even the first one wonders whether it is a fake ... oh Gods!) remains puzzled by the enthusiasm is genuine and a bit' late-adolescent reserved for small films a pure special effects such as Avatar Cameron (but again we're in good company: See The philosophies of Avatar for types of Mimesis, edited by Antonio Caronia and Fabio Tursi), or perplexed by the harsh criticism of Hachiko-Your best friend of Hallstrom (which will not be a masterpiece, but it is an honest film about the relationship between animals and men, and there were ...) But the value judgments, you know, the relativism that so worries the right-minded is the master, and any discussion of aesthetics is no point of principle.
So: well be an annual volume of reviews that we refresh the memory of what we saw (before we forget) and show us what you can see what we have lost. Ben is, perhaps edited in the library besides the newsstands, so that people on Sunday "I Feltrinelli in to see the news "(which is clever) but the last cheat the last genius of italic letters you bought a serious book.
Ben is also the view of instituting Fittante, that although he comes out with a praise of Avatar than by Cinephile by fans of Star Trek (frightening aesthetic category for all purposes), troubles us the idea distribution and film production today.
And after having read, for fun, even the reviews of the films that we watched, we forget that this year, in Italy, has absconded - and widely - both in art film As in those movies that once would have described as "great".
Finally, we also do our playlist. Except that it is national, we will call in another way. For example, the ten best films of the year ...
1) Bright Star
2) The Road
3) A Serious Man
4) Moon
5) Agora
6) The Lovely Bones
7) Departures
8) Lourdes
9) Alice in Wonderland
10) Invictus.
And good reading.
First Arcovazzi
(i) writer reminds the label settantasettesca of "the right film" unexpectedly applied to certain films in recent years, as if the concept of "right" presupposed by the low specific aesthetic values \u200b\u200bor political content, low IQ, and, conversely, the incense mediocre movie after all but the smell of leftism ...
(ii) that is where any crap coming from the States is a masterpiece, if it is anti-twice, and makes it attractive also because they sell so cinepanettoni
( iii) that transforms the aesthetic ethics, and ethics in a case of Catholic Action, in fact, and although it considers the cinepattoni for the nonsense they are, suggest them as "family entertainment"
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